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Boards User Profiles

Articles

shain has written the following articles:

15546

Gomez at London Forum, Tue 02 Sep

Review by Shain Shapiro

Nostalgia is a powerful thing. When it clings it’s hard to think of much else but going backwards, inside, away from right now. This is how Gomez feel tonight - forever trapped in what happened then»

38480

Shout Out Louds, Lykke Li at London Cargo, Wed 04 Jun

Review by Shain Shapiro

Lykke Li emerges and right away something special is afoot. Some shows, like this one, seem to transcend the worst atmosphere to enter new terrain»

37175

White Rabbits, Teenagers in Tokyo at London Borderline, Tue 29 Apr

Review by Shain Shapiro

Intimacy is not the best atmosphere for White Rabbits' music, as these intricate song structures are more suited for bigger venues, places allowing more space to explore, squeeze into and influence. I bet Koko is next»

34114

Thee Silver Mt. Zion Memorial Orchestra & Tra-La-La Band at King's Cross Scala, Islington, Tue 08 Apr

Review by Shain Shapiro

The politics override the music, ultimately masking mediocrity, as A Silver Mt. Zion is just a band. Nothing else. I’m sorry I assumed otherwise»

36897

Patrick Watson, Miracle Fortress at London King's Cross Scala, Wed 02 Apr

Review by Shain Shapiro

Miracle Fortress' Five Roses remains one of my Desert Island Discs. Based on tonight's set, though, there's no need for the Canadians to come and tour where I get stranded»

36456

Kathleen Edwards - Asking For Flowers

Review by Shain Shapiro

Kathleen Edwards is the antithesis of popular right now. Her voice is plaintive, raspy, quite masculine, overwhelmingly Canadian and not at all stylish. She dresses conservatively, more often that not looking effort like a baker’s daughter than anything else»

36380

The Brunettes, Shout Out Louds at London Bush Hall, Thu 10 Apr

Review by Shain Shapiro

I love The Brunettes, but right now they are overwhelmed. By the venue, perhaps, or their early support slot and its restrictive 30-minute duration. Whatever - point is they disappoint when they should excell»

36022

DeVotchKa at London King's Cross Scala, Wed 09 Apr

Review by Shain Shapiro

Tonight is very special. It’s nearly half eleven, well past curfew, and DeVotchKa are in ecstasy, flitting between the centuries with timeless panache, surely time travel at its best»

35395

The Envy Corps - Dwell

Review by Shain Shapiro

The Envy Corps finished this, their debut, over a year ago. But it remained unreleased, gathering dust on the shelf at home because circumstances forced the record to stay put. The wait's been worth it though»

33029

The Brute Chorus - Chateau / The Cuckoo & The Stolen Heart

Review by Shain Shapiro

This is a very good song for all the wrong reasons. The chords are muddy, disjointed, utterly crass, as if this group of transplanted Londoners lack any skill whatsoever in quelling cogent chords from their instruments, but in this muddiness, this thick, bluesy dirt lay its brilliance»

27247

Justice at London Astoria, Thu 14 Feb

Review by Shain Shapiro

Eyes closed, ignorant of the mass of hipsters around me, this is perfect, proof that music can trump the aesthetic. veryone looks the part, but only Justice is playing the part»

32849

Club 8 - The Boy Who Couldn't Stop Dreaming

Review by Shain Shapiro

Club 8 has been quietly prolific for 13 years, releasing six albums, touring the world and furthering the mission of Sweden’s Labrador Records, the best indie-pop outfit on the planet. But The Boy Who Couldn’t Stop Dreaming is not a perfect pop record»

32657

Bloodgroup - Sticky Situation

Review by Shain Shapiro

Sticky Situation presents four obviously talented individuals brimming with ideas but lost on how to properly arrange them in their chosen genre. Yet, organization is only one element in the pot, and the songs display talent and a promise that, with time, Bloodgroup may be James Murphy’s next pet project»

31825

Jim Noir at London Borderline, Thu 17 Jan

Review by Shain Shapiro

Jim Noir takes the stage – tall, aloof and chatty. But, immediately, something is off. To start, he forgets lyrics, spills beer all over the stage, chats more than he sings and misplaces the setlist. He keeps asking the keyboardist which song is next, then playing the wrong one, apologizing and starting again»

31586

Sarabeth Tucek - Sarabeth Tucek

Review by Shain Shapiro

Sarabeth Tucek puts all the emphasis in her voice, corralling you to heeding every word she says, but the end result fails to boil, pique interest or ensconce. It goes somewhere, but I am not sure where»

30321

The National, Hayden at Amsterdam Melkweg, Thu 29 Nov

Review by Shain Shapiro

The Dutch love The National, but they make us wait, a good half-hour before surfacing. Without a word, they launch into their set, opening with the down-tempo, minor-keyed ‘Secret Meeting’ and ‘Mistaken For Strangers’. The crowd remains silent»

29933

EuroSonic confirms line-up: who's on it you ask?

News by Shain Shapiro

EuroSonic, the largest musical festival to showcase Europe-only acts has finalized its line-up.»

29132

O Fracas - Factfinding EP

Review by Shain Shapiro

Finally, a mess of a band free of self-indulgence and full of substance. Please take notice»

25193

Caribou, Black Mountain and more for Dutch festival

News by Shain Shapiro

The Canada-centric Le Guess Who Festival is going down next weekend, 30 Nov and 1 Dec at the Tivoli in Utrecht, just outside of Amsterdam in the Netherlands.»

17890

Beirut at Amsterdam Paradiso, Thu 15 Nov

Review by Shain Shapiro

Beirut soaks melodic city squares in the sounds of both old and new. While Zach Condon’s blend of contemporary folk music, all things Balkan and waltz hark back to a town festival somewhere deep in Croatia a hundred years ago, the blend is as contemporary as it is historic»

29219

Sigur Rós at London Southbank - British Film Institute, Mon 05 Nov

Review by Shain Shapiro

Every inch of me wants to dive into their storm, that weather-induced coma that is Sigur Rós. But this is too real. Too ordinary»

28979

Okkervil River: questioning what's really genuine

In Depth by Shain Shapiro

Okkervil River’s music is meant to be grappled with, questioned and reflected upon; never to be taken at face value or with assumptions. DiS sits down with songwriter Will Sheff ahead of the band's UK tour»

25390

Asobi Seksu - L

Review by Shain Shapiro

Regardless of what language lead singer Yuki Chikudata sings in, it is incomprehensible, and moments arise when DiS drowns in their seemingly endless expulsion of reverb, distortion and noise»

28332

Scout Niblett - This Fool Can Die Now

Review by Shain Shapiro

Emma Louise ‘Scout’ Niblett, a chanteuse from Nottingham who now lives in Portland, Oregon, has always been one of the best in this business. So why, then, does much of her canon remain on acid folk's periphery?»

28243

Mono - Gone

Review by Shain Shapiro

In the mountains that make up post-rock, Mono lie somewhere at their tallest peak. Yet, they often engender a confusing product; their music can be difficult to digest, distorted and delirious. But once it seeps inside the mind of the listener, much of the themes circling the melodies lack a decisive sway...»

28109

Stars at Amsterdam Paradiso Bovenzaal, Sat 29 Sep

Review by Shain Shapiro

Every song is comforting and discomforting at the same time. I am singing along unconsciously and probably loudly, because drinking usually raises my voice...»

27055

Dead Soul Brothers - EP 1

Review by Shain Shapiro

I wonder if DJs use some sort of industry standard checklist in the studio to mark off everything required to produce a solid dance record. If so, the following is on said checklist...»

27839

iLiKETRAiNS - Elegies To Lessons Learnt

Review by Shain Shapiro

One recurring theme in history is that we never learn from it. Hegel proclaimed that The French Revolution marked the end of time, and since then things have been going in circles. If this is true, than Leeds’ iLiKETRAiNS will never run out of themes to expand on...»

25982

Okkervil River - The Stage Names

Review by Shain Shapiro

On the opening track of Okkervil River’s fifth studio offering, The Stage Names, lead singer and general all-round frontman Will Sheff ponders if his pouring out of the toils of his life on record resembles that of a movie. Well, hard to say. Let us elaborate on that for moment...»

26030

Voxtrot - Firecracker

Review by Shain Shapiro

I wonder if attractive, completely non-aggressive pop/rock is truly attractive. If so, then I see Voxtrot as captains of our industry...»

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