Review
by Sean Thomas
Whether or not it is as defining a release as OK Cowboy even feels somewhat incidental in the end, as Flashmob is easily the most enjoyable, addictive, air-keyboard-inducing electronic record that the year is likely to produce. »
In Depth by Sean Thomas
If Coldplay are good enough for a beaming Jay-Z to want to get back in on the act, returning to sing ‘Lost+’ with the band towards the close, then just maybe they should be good enough for us too.»
Review
by Sean Thomas
If dropping some sections from 45:33 into a set are on the cards, then the lovingly packaged 12-inches are highly desirable; however if you’re after a new record to ease your LCD Soundsystem withdrawal symptoms, then this probably won’t suffice.»
Review
by Sean Thomas
In a parallel universe, tonight’s gig is a mailing list invite-only warm up date for The Juan Maclean’s imminent 3000+ capacity ve»
Review
by Sean Thomas
The Royal Festival Hall feels like the perfect place to enjoy The National at their near best. It’s an unorthodox gig truth be told, with some members of the crowd opting to remain seated, while others dance in the aisles or stand joyously clapping and drowning out the actual percussion.»
Review
by Sean Thomas
Three minutes and 45 seconds into this record, you’ll know whether you love Kong or not.
By then you’ll have experienced a ridicu»
Review
by Sean Thomas
I’ve always had a soft spot for records that are just short of being great. You probably know the ones I mean: they have echoing f»
Review
by Sean Thomas
That Scottish water eh? I’m not altogether sure what they do (or rather don’t) put in it but every ten years or so - when the gene»
Review
by Sean Thomas
For a band known for their acerbic wit, it’s surprising that it takes four songs for Future Of The Left's Falco or Kelson to utter a word to the crowd. Indeed the highly eclectic audience might possibly feel a little short changed were it not for the aural onslaught they'd just been on the receiving end of. »