Logo
DiS Needs You: Save our site »
  • Logo_home2
  • Records
  • In Depth
  • In Photos
  • Blog
  • Podcast
  • Search
  • Community
  • Records
  • In Depth
  • Blog
  • Community

THIS SITE HAS BEEN ARCHIVED AND CLOSED.

Please join the conversation over on our new forums »

If you really want to read this, try using The Internet Archive.

2761

feature

Why it's Crap, Standing at The Back
Why it's Crap, Standing at The Back
-Raz- by Raziq Rauf November 17th, 2002
I stood at The Back for a long time this year. I didn’t enjoy it. I could easily gauge how much I would, or should, be enjoying it, but that’s not the point. Is it?

I love being a barfly. It means you don’t have to traipse through the crowd to get back there and it’s alright doing that at some gigs, like at the Barflys. Actually, fuck that and fuck you if you think you believe it. You can’t breathe their sweat from the bar. You can’t hear them screaming in your ear. You can’t accidentally knock your head against their monitor. From the bar.

I probably had my least enjoyable Reading Festival so far due to that fact that I was stood at the back of the crowd because a) I was too goddamn scared of getting my head trampled upon as it was 2 summers previously and b) because I was more interested in sitting around on the grass and it would take aeons to get to the bar from the front. Oh if only I could go back and smack myself around the head.

Just because you’re ‘down the front’ and even down there ‘with the kidz’ it doesn’t mean that you have to mosh or pogo like a madman. Oh sweet mother, no. I am a lazy bastard and a couple of years of lethargy are all it has taken for me to become a wheezing mess when confronted with a half hour of perspiration inducing activity. It is quite feasible to just stand there. You know what you’re in for: crowdsurfers, people moshing into you, and a great view of the band.

What? You’re only there for the music. Ain’t that what CDs are for? Stay at home, loser. Get down the front. Get what you’re paying for. Live the music you are seeing.



LATEST


  • Why Music Journalism Matters in 2024


  • Drowned in Sound is back!


  • Drowned in Sound's 21 Favourite Albums of the Year: 2020


  • Drowned in Sound to return as a weekly newsletter


  • Lykke Li's Sadness Is A Blessing


  • Glastonbury 2019 preview playlist + ten alternative must sees

Share on
   
Love DiS? Become a Patron of the site here »




LATEST

    news


    Why Music Journalism Matters in 2024

  • 106145
  • news


    Drowned in Sound is back!

  • 106143

    news


    Drowned in Sound's 21 Favourite Albums of the Y...

  • 106141
  • news


    Drowned in Sound to return as a weekly newsletter

  • 106139

    Playlist


    Lykke Li's Sadness Is A Blessing

  • 106138
  • Festival Preview


    Glastonbury 2019 preview playlist + ten alterna...

  • 106137

    Interview


    A Different Kind Of Weird: dEUS on The Ideal Crash

  • 106136
  • Festival Review


    Way Out East: DiS Does Sharpe Festival 2019

  • 106135
MORE


    news


    The Neptune Music Prize 2016 - Vote Now

  • 103918
  • Takeover


    The Winner Takes It All

  • 50972

    Takeover


    10 Things To Not Expect Your Record Producer To...

  • 93724
  • review


    The Mars Volta - Deloused In The Comatorium

  • 4317

    review


    Sonic Youth - Nurse

  • 6044
  • feature


    New Emo Goth Danger? My Chemical Romance confro...

  • 89578

    feature


    DiS meets Justice

  • 27270
  • news


    Our Independent music filled alternative to New...

  • 104374
MORE
Drowned in Sound
  • DROWNED IN SOUND
  • HOME
  • SITE MAP
  • NEWS
  • IN DEPTH
  • IN PHOTOS
  • RECORDS
  • RECOMMENDED RECORDS
  • ALBUMS OF THE YEAR
  • FESTIVAL COVERAGE
  • COMMUNITY
  • MUSIC FORUM
  • SOCIAL BOARD
  • REPORT ERRORS
  • CONTACT US
  • JOIN OUR MAILING LIST
  • FOLLOW DiS
  • GOOGLE+
  • FACEBOOK
  • TWITTER
  • SHUFFLER
  • TUMBLR
  • YOUTUBE
  • RSS FEED
  • RSS EMAIL SUBSCRIBE
  • MISC
  • TERM OF USE
  • PRIVACY
  • ADVERTISING
  • OUR WIKIPEDIA
© 2000-2025 DROWNED IN SOUND