The Mercury First Listen Review: Stormzy
Christopher Sharpe on Stormzy's Gang Signs & Prayer»
tphrthms has written the following articles:
I’m All Ears is either a massive leap forwards or a sad lurch towards the middle-ground»
The seams aren’t just showing, but fraying wildly in every direction»
A record that values thinking over feeling and challenges its listener to do the same»
Christopher Sharpe on Stormzy's Gang Signs & Prayer»
If Kendrick Lamar’s niche is as prophet of the end times, Staples is its diarist»
The Austin rockers keep going from strength to strength»
Formation are undeniably part of the solution»
"There’s no one voting for Trump in my crowd really. So how do I reach those people?"»
Japandroids' hearts are still right where they belong: on their sleeves»
Slower, happier, more confident. We talk to Dylan Baldi about coming full circle and taking your time»
A bridge to bigger and hopefully even better things»
Up the dosage of killer and we’re onto a winner»
A darkly glistening, deeply attractive and unexpectedly intelligent use of the album as storytelling device»
For the moment, Boulevards is more of a cul-de-sac»
"There’s a ying and a yang within Battles, there’s got to be a constant that allows you to change, but not too much..."»
Maybe with a little more time spent on a few less ideas it could perhaps have been a great album»
An intensely satisfying conflict between the loose and taut, of an unconstrained energy captured in the bell jar of a constrained moment in time»
La Vie Est Belle / Life is Beautiful is bold, beautiful and brilliantly honed»
The steps he takes and horizons he's expanded with each release to-date have made it equally clear that certain modes and stylings suit him far better than others»
You feel as if the trails weren’t really all that strange.»
Defined by an addictive and inclusive sense of purpose.»
For those that don’t mind accommodating some puppyish enthusiasm to go with their elsewhere-provided edge, there’s plenty of sugary sweet and surreptitiously diverse treats in Phox’s picnic hamper to enjoy.»
Paus feels all about spontaneity.»
The kind of intelligently heavy music which Deathwish, Inc circa 2013 is making its highly reputable calling card.»
The cornerstone of these songs is a consummate concise delicacy; a care which ensures even the most embellished track is imbued with clarity.»
In a similar manner to closest contemporaries Django Django, this is a debut packed with resourceful ideas, textural intrigue and compelling rhythms, which ultimately falls short only from a sense of unfulfilled potential»