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In Depth

  • Interview


    We Love EU: Manon Meurt

    105849

    Meet Manon Meurt, exquisite purveyors of shoegaze and dream pop from the Czech Republic »

  • Festival Review


    Operation Notes From Underground: DiS Does Station Narva 2018

    105862

    We were lucky enough to be present at the birth of a brand new event »

  • Interview


    "All we've ever tried to do is write better songs": DiS Meets Teenage Fanclub

    105829

    We caught up with Norman Blake to talk about the past, present, and future of Teenage Fanclub »

  • Interview


    "Music should never be defined by one thing": DiS Meets Boy Azooga

    105827

    Boy Azooga have made one of 2018's finest debuts and songwriter Davey Newington told us all about it »

  • Interview


    "We really wanted this album to be uplifting": DiS Meets Haiku Salut

    105821

    We caught up with the experimental pop trio on the eve of their forthcoming tour »

  • Column


    The Mercury First Listen Review: Wolf Alice

    105844

    Mike McGrath-Bryan on Wolf Alice's Visions Of A Life »

  • Column


    The Mercury First Listen Review: Sons Of Kemet

    105843

    Nick Roseblade on Sons Of Kemet's Your Queen Is A Reptile »

  • Column


    The Mercury First Listen Review: Novelist

    105842

    Christopher McBride on Novelist's Novelist Guy »

  • Column


    The Mercury First Listen Review: Noel Gallagher's High Flying Birds

    105841

    Dom Gourlay on Noel Gallagher's High Flying Birds' Who Built The Moon? »

  • Column


    The Mercury First Listen Review: Nadine Shah

    105840

    Jasper Willems on Nadine Shah's Holiday Destination »

  • Column


    The Mercury First Listen Review: Lily Allen

    105839

    Christian Cottingham on Lily Allen's No Shame »

  • Column


    The Mercury First Listen Review: King Krule

    105838

    Eva Mackevic on King Krule's The OOZ »

  • Column


    The Mercury First Listen Review: Jorja Smith

    105837

    Harriet Linnell on Jorja Smith's Lost & Found »

  • Column


    The Mercury First Listen Review: Florence + The Machine

    105836

    Lee Adcock on Florence + The Machine's High As Hope »

  • Column


    The Mercury First Listen Review: Everything Is Recorded

    105835

    James Thornhill on Richard Russell's Everything Is Recorded »

  • Column


    The Mercury First Listen Review: Everything Everything

    105834

    Aidan Reynolds on Everything Everything's A Fever Dream »

  • Column


    The Mercury First Listen Review: Arctic Monkeys

    105833

    Benjamin Bland on Arctic Monkeys' Tranquility Base Hotel & Casino »

  • Interview


    "None of this should be at the expense of your mental health": DiS Meets Dilly Dally

    105830

    Katie Monks tells us how the Candian quartet pulled themselves back from the brink of self-destruction »

  • Festival Review


    Homegrown Talent: DiS Does C/O Pop 2018

    105828

    We went to discover some of Germany's independent music »

  • Column


    The Fangasm: Alopecia by Why?

    105823

    A record that’s catchy, memorable, challenging, inventive, playful and very, very dark »

  • Festival Preview


    Station Narva 2018: The DiS Preview

    105822

    We're off to Eastern borderlands »

  • Interview


    Back From The Brink: DiS Meets A Place To Bury Strangers

    105806

    We caught up with experimental noise icons A Place To Bury Strangers during their current European venture »

  • Live Review


    Two Shows In One Day: The Unstoppable Rise Of Idles

    105814

    The unstoppable rise of Idles continues and DiS went to Sheffield and Nottingham to see it first hand »

  • Planet Gear


    Planet Gear: Ben Chatwin

    105818

    The electronic musician and producer talks us through his studio equipment »

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