Lost 12 of 2012: Zelienople The World Is A House On Fire
The World Is A House On Fire is the perfect soundtrack for all the places you've never been and all the films you've never seen, nor never will. »
Jordan2292 has written the following articles:
The World Is A House On Fire is the perfect soundtrack for all the places you've never been and all the films you've never seen, nor never will. »
In the shadow of the imposing Katowice coal mine Off has grown into one of the best mid-sized festivals in Europe, with 2012's edition being perhaps its strongest yet.»
As part of our 10-week “DiS is 10!” celebration, we’ve asked 50 of our favourite people to tell us about one of their favourite albums of the past 10 years (please note: this is not a best or "top" list but personal selections). Here, DiS contributor and messageboard regular Jordan Dowling shares his choice...»
To cap off this week of in-depth articles about slowcore, DiS writers and readers have summed up their favourite 'other' slowcore bands.»
Galaxie 500 are widely considered to be one of the definitive bands of the late-1980s/early-1990s American underground. In the first of our slowcore articles, we consider them as an influence on many of the bands to emerge slightly later.»
Frightened Rabbit are at their strongest here, throwing rough drunken vocal melodies in front of trebly guitars and pounding drums. Some of the intimacy is lost, perhaps also inevitable due to the size of the venue, inside a crowd of non-plussed, though appreciative, Death Cab For Cutie fans.»
On November 14th, Tokyo, Japan's Noble Records heads to our shores for two dates at Cafe Oto in London. To celebrate we catch up with owner/head-honcho Junji to discuss his rather wonderful little record/"synthetic art" label.
»Meshuggah have built a reputation on consistency as well as complexity, and deserve to be regarded as one of modern metal's most vital bands. Unrelenting in the very best possible way»
A tour diary; charting their movements, emotions and thoughts throughout their brief jaunt around England. At least that was the plan»
Whilst doom overlords Sunn O))) utilise a slow-slow build to conjure an unsettling atmosphere, Asva merely fade into nothing, losing any ambience with each rotation»
Kentucky quintet My Morning Jacket really are in a class of their own, and even after line-up changes they remain a truly essential live act»
Alexander Tucker may have created one of the most affecting albums of the year. Portal is cinematic, its maker the director»
Whilst missing the halcyonic high points of their debut LP, The Twilight Sad have created a piece of work that is just as consistent, and just as brave»
Frightened Rabbit's second LP shaves away the instrumental excesses of their debut to deliver 14 tracks of the finest indie-pop you're likely to hear in 2008. The mainstream, it seems, calls»
Brooklyn strummer Jesse Malin's On Your Sleeve is an album as close to the dictionary definition of the word mediocre as there is likely to be in the whole of 2008»
Hopefully another four-year wait will not precede the next Mínus UK tour, but in the face of the nonchalance and apathy on show in Nottingham it would be hard to blame them if it did»
Tall Firs' second LP Too Old To Die Young could be listened to in 20 years and it wouldn’t sound a day older, but it is unlikely to warrant interest past the first weeks of purchase»
At its most intimate and the furthest point from forced gimmickry, Dawn Landes’ take on the country template with Fireproof is refreshing in its simplicity»
Menomena are not a band that need to be seen live to be appreciated – the majority of their recorded output falls somewhere between interesting and downright necessary – but they are one that thrives in the environment»
The word ‘ecstatic’ is all the more suited to Wisconsin native Prurient. Here, if the continually assumed belief of an actual passage from music to noise is a short travel from A to B, Dominick Fernow races past Z into countless undiscovered alphabets»
It is ironic that Manchester Orchestra’s profile has grown from playing bands with swollen fanbases offstage. Now, with the spotlight firmly shining, the same has happened to them as Anathallo take the plaudits»
Stars are a pop band. No need for hyphens and expansions: 'pop' as a descriptive is as accurate and succinct as is needed. Not that anyone will tell you this. They are 'indie', 'epic', 'alternative', et cetera before they are 'pop'»
That Blunderbuss have (reportedly) been plying their trade since the late ‘80s, supporting acts from Jesus Lizard to Don Caballero, but are still yet to form an independent sound, or even an above-par adaptation (read: copy) is quite remarkable»
At heart, Montag's M83- and Final Fantasy-featuring Going Places is an ambitious album. But, lacking direction, for too much of its 40-minute entirety there is a continuous treading of the same shallow waters»
Akron/Family, particularly in the live environment, are focused on and express only one emotion: absolute joy. And this is the response they receive from an adoring crowd»
There is something misleading about Coyote and their mysterious Outsides album - the Philly outfit aren't as bleak as they let on, but this record is a truly dark delight»
Your opinion of post-rockers Aerial's The Sentinel will depend entirely on whether you prefer to be constantly surprised by a record or enjoy a familiarity throughout»
Releasing a compilation claiming to host the cream of Canada's avant-garde is a pretty ambitious task. Cheap Date Records have chosen to delve beyond the obvious, though»
One of 2007's breakthrough acts, The Twilight Sad's 2007 has seen them support their brilliant Fourteen Auntumns & Fifteen Winters debut album however possible. DiS sits down to let 'em catch a breath or two»
Damo Suzuki, former voice of mythical act Can, will play a DiS show in Nottingham next month.»